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I love the archetypal material that Dali-Land contains: a primordial bird at top, a diving bird below, an infinity sign, a fish on the edge of the universe, a hand mirror and a blouse. Do you see others? What I find most amazing is that a close-up shot of water can contain symbols with meaning. I wonder how I saw this image on moving water, consciously or unconsciously. What internal sonar took me to this image? Is it synesthesia that explains why, in the absence of thought, I photograph that which is never hidden but usually unseen?
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Photo Galleries | Artist Statement | Resume | Bio | Abstracts | Video Clips | Synethesia | Calendar | Links | Contact
All images and text are Copyright ©
2025
Marcia Smilack. All rights reserved.
Web design by goffgrafix.com
I love the archetypal material that Dali-Land contains: a primordial bird at top, a diving bird below, an infinity sign, a fish on the edge of the universe, a hand mirror and a blouse. Do you see others? What I find most amazing is that a close-up shot of water can contain symbols with meaning. I wonder how I saw this image on moving water, consciously or unconsciously. What internal sonar took me to this image? Is it synesthesia that explains why, in the absence of thought, I photograph that which is never hidden but usually unseen?
To inquire about this photograph, please click here.
Photo Galleries | Artist Statement | Resume | Bio | Abstracts | Video Clips | Synethesia | Calendar | Links | Contact
All images and text are Copyright ©
2025
Marcia Smilack. All rights reserved.
Web design by goffgrafix.com
I took this image the first night of a visit to Florence, Italy in July, 2004.
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Photo Galleries | Artist Statement | Resume | Bio | Abstracts | Video Clips | Synethesia | Calendar | Links | Contact
All images and text are Copyright ©
2025
Marcia Smilack. All rights reserved.
Web design by goffgrafix.com
I watched the water until the pink turned to satin against my skin. When I felt the circles dilate as they formed and reformed, I became one with the motion, and then free of thought, I snapped the shutter. A few days later, I came upon a postcard that gave me a jolt of recognition and excitement, for the painting on it looked just like my image –- archetypically, anyway. When I turned it over and saw that the artist was Kandinsky, my only question was whether he had the same form of synesthesia as I.
To inquire about this photograph, please click here.
Photo Galleries | Artist Statement | Resume | Bio | Abstracts | Video Clips | Synethesia | Calendar | Links | Contact
All images and text are Copyright ©
2025
Marcia Smilack. All rights reserved.
Web design by goffgrafix.com
I often think that I can tell just by looking at a work of art if the artist is a true synesthete: the work must contain an element of time. by which I mean that it must evoke the passage of time inside of me. The image "Durée" provides the sensation of the passage of time. In addition, it fulfills a principle I seek in my work: when I look at it, I must feel that I can walk into the image, turn around, and come back -- a journey which requires the passage of time.
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Photo Galleries | Artist Statement | Resume | Bio | Abstracts | Video Clips | Synethesia | Calendar | Links | Contact
All images and text are Copyright ©
2025
Marcia Smilack. All rights reserved.
Web design by goffgrafix.com
To inquire about this photograph, please click here.
Photo Galleries | Artist Statement | Resume | Bio | Abstracts | Video Clips | Synethesia | Calendar | Links | Contact
All images and text are Copyright ©
2025
Marcia Smilack. All rights reserved.
Web design by goffgrafix.com
"Pink Icing" is a good example of how I make my choices when I take an image based on what I feel. In this case, what I felt was pink satin against my skin but I named the image "Pink Icing" because when I looked at it later, I saw that it looks like pink icing. There is also a little cello music on the right produced by the brown and black colors.
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Photo Galleries | Artist Statement | Resume | Bio | Abstracts | Video Clips | Synethesia | Calendar | Links | Contact
All images and text are Copyright ©
2025
Marcia Smilack. All rights reserved.
Web design by goffgrafix.com
When I look at the umbrellas moving in the breeze I feel my eyelashes flutter.
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Photo Galleries | Artist Statement | Resume | Bio | Abstracts | Video Clips | Synethesia | Calendar | Links | Contact
All images and text are Copyright ©
2025
Marcia Smilack. All rights reserved.
Web design by goffgrafix.com
To inquire about this photograph, please click here.
Photo Galleries | Artist Statement | Resume | Bio | Abstracts | Video Clips | Synethesia | Calendar | Links | Contact
All images and text are Copyright ©
2025
Marcia Smilack. All rights reserved.
Web design by goffgrafix.com
I took this picture when I felt myself dissolve into and become the shadow.
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Photo Galleries | Artist Statement | Resume | Bio | Abstracts | Video Clips | Synethesia | Calendar | Links | Contact
All images and text are Copyright ©
2025
Marcia Smilack. All rights reserved.
Web design by goffgrafix.com
If you look to the right, do you see a woman singing? In many dreams, I am an incredible musician which is why I named this image, "I Dreamed I Could Sing.” This image is included in a wonderful book that explores dreams and the artists who have use them in their work in the twentieth century called Dreams 1900-2000: Science, Art, and the Unconscious Mind, edited by Lynn Gamwell.
To inquire about this photograph, please click here.
Photo Galleries | Artist Statement | Resume | Bio | Abstracts | Video Clips | Synethesia | Calendar | Links | Contact
All images and text are Copyright ©
2025
Marcia Smilack. All rights reserved.
Web design by goffgrafix.com
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